Piero Cruciatti Photographer

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William Turner exhibition opens at Tate Britain in London { 24 images } Created 30 Sep 2014

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  • London, UK - 8 September 2014: a gallery assistant poses next to ‘Bamborough Castle c.1837’ by J.M.W. Turner.
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  • London, UK - 8 September 2014: a gallery assistant walks past Turner’s three final masterpieces shown in newly reconstructed frames: Mercury Sent to Admonish Aeneas, The Visit to the Tomb and The Departure of the Fleet c.1850 during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
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  • London, UK - 8 September 2014: a gallery assistant poses next to ‘Bamborough Castle c.1837’ by J.M.W. Turner
    DSC_8916.jpg
  • London, UK - 8 September 2014: two gallery assistants pose next to ‘Bamborough Castle c.1837’ by J.M.W. Turner
    DSC_8928.jpg
  • London, UK - 8 September 2014: two gallery assistants pose next to ‘Bamborough Castle c.1837’ by J.M.W. Turner
    DSC_8935.jpg
  • London, UK - 8 September 2014: a gallery assistant poses next to ‘Bamborough Castle c.1837’ by J.M.W. Turner
    DSC_8945.jpg
  • London, UK - 8 September 2014: a gallery assistant walks past 'Dawn of Christianity' by J.M.W. Turner.
    DSC_8982.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at 'A disaster at sea, 1835' <br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9067.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at 'A disaster at sea, 1835' <br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9056.jpg
  • London, UK - 8 September 2014: a gallery assistant walks past 'Dawn of Christianity' by J.M.W. Turner.
    DSC_8994.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at 'A disaster at sea, 1835' <br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9083.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at 'A disaster at sea, 1835' <br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9089.jpg
  • London, UK - 8 September 2014: a gallery assistant poses next to ‘War: The Exile and Rock Limpet exhibited 1842’ by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
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  • London, UK - 8 September 2014: a gallery assistant looks up at works from the 1840s by J.M.W. Turner
    DSC_9170.jpg
  • London, UK - 8 September 2014: a gallery assistant poses next to ‘War: The Exile and Rock Limpet exhibited 1842’ (L) and other works from the 1840s by J.M.W. Turner
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  • London, UK - 8 September 2014: a gallery assistant looks up at 'The Death of Actaeon, with a Distant View of Montjovet, Val D'Aosta, c 1837' by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9178.jpg
  • London, UK - 8 September 2014: a gallery assistant poses in front of  'The Death of Actaeon, with a Distant View of Montjovet, Val D'Aosta, c 1837' by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9190.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at 'The Death of Actaeon, with a Distant View of Montjovet, Val D'Aosta, c 1837' by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9239.jpg
  • London, UK - 8 September 2014: a gallery assistant looks up at ‘Story of Apollo and Daphne' <br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9209.jpg
  • London, UK - 8 September 2014: gallery assistants looks up at paintings from the 1840s<br />
 by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_9272.jpg
  • London, UK - 8 September 2014: a gallery assistant walks past 'Modern Rome - Campo Vaccino' (L) and 'Ancient Rome: Agrippina Landing with the Ashes of Germanicus' (R) by J.M.W. Turner, brought together for the first time in a generation.
    DSC_9325.jpg
  • London, UK - 8 September 2014: a gallery assistant poses next to 'Modern Rome - Campo Vaccino' (L) and 'Ancient Rome: Agrippina Landing with the Ashes of Germanicus' (R) by J.M.W. Turner, brought together for the first time in a generation.
    DSC_9316.jpg
  • London, UK - 8 September 2014: a gallery assistant walks past 'Modern Rome - Campo Vaccino' (L) and 'Ancient Rome: Agrippina Landing with the Ashes of Germanicus' (R) by J.M.W. Turner, brought together for the first time in a generation.
    DSC_9343.jpg
  • London, UK - 8 September 2014: a gallery assistant walks past ‘The Visit to the Tomb’ by J.M.W. Turner, during the press preview of The EY Exhibition: Late Turner – Painting Set Free exhibition at Tate Britain
    DSC_8893.jpg